There really are no effective formulas for composing good landscapes. Nonetheless, the general suggestions that follow can probably help you get bet-ter ones.

1. Every landscape should have a focal point. This is the center of interest, the part of the picture your eye is drawn to. It can be a distant moun-tain, the facade of a building, or a clump of trees. Without a focal point, your landscape will likely fall flat.

2. Make sure the subject is big enough. If you use a wide-angle lens, a distant focal point such as a mountain may be too small or the sea may seem to trail off into nothing but water. Your eye seeks a center of interest. If there is none, it will simply wander off to infinity because there is noth-ing in the picture to hold your attention.
A small main subject can express the vastness and grandeur of a scene, but if this isn't your aim, move closer to the main subject and reframe the shot. If the main subject is still too far away or you can't get closer, use a longer lens.

3. Let the subject guide your approach. If the main subject area contains people, experi-ment with placing them nearer or farther from the camera to achieve different-sized images. Some images can be more effective if they look large and overpowering. Small figures emphasize the vastness of a woodland area.

4. Pay attention to subject placement. Impressive or dynamic subjects (for exam-ple, the plant in picture on left) can often be centrally placed. Medium-sized land-scape images are usually more effective when placed off-cen-ter (such as leaves and tree trunks in picture above).

5. Consider framing your subject. Dramatic central sub-jects generally don't require framing, but other landscape subjects are usually improved by framing. Without some framing, the main subject at a distance appears lost in the enlarged print or projection.
The foremost framing device is foliage. An arch, doorway, or natural rock for-mation can also serve as a use-ful frame to lead the viewer's eye.

6. Keep the frame in focus. In landscape photography, it's important that both the frame and the subject be sharp. Visually, an out-of-focus frame is usually disturbing and draws attention away from the main subject. If depth of field is insufficient, shift the focus point or stop the lens down.

7. Create the illusion of depth. Giving the feeling of three-dimensional space enhances landscapes. Placing different subjects or framing elements at different planes helps the picture hold the viewer.

8. Use contrasting colors. A subject wearing a bright red, blue, or yellow jacket that's carefully placed within a land-scape can perk up a dullish scene. Usually, such subjects should be kept at a sufficient distance within the picture frame or they will tend to take over and dominate the entire picture.

9. Keep your camera level. Almost all good landscapes are made with the camera held as level as possible. Don't be tempted to point your lens up too far. If you do, you will cre-ate apparent perspective dis-tortion, and objects will appear to be falling over back-ward. The closer you are to your main subject, the more important this is. Use a shoe-mounted bubble level.

Jan Linden is a professional photographer and designer runs Art Photo Gallery webstore

Article Directory: Article Dashboard

Other articles from Photography...
35.  All The Secrets Of Digital Photography by Dane Stanton
36.  Black and white photography. by TJ Tierney
37.  Digital Photography – What’s So Great About It? by Carol A Miller
38.  How To Master Digital Photography Basics by Connie Fillmore
39.  How Helpful is a Digital Photography Book? by Connie Fillmore
40.  How To Manage Digital Photography Lighting by Connie Fillmore
41.  The Vibrant World of Black And White Digital Photography by Connie Fillmore
42.  Digital Infrared Photography - A Cut Above The Rest by Connie Fillmore
43.  Digital Photography Class - Cracking the Photography Code by Connie Fillmore
44.  Digital Wedding Photography - Archiving Your Memories by Connie Fillmore