Web hyux.com
 
 

  •Online Resources
  •Homeschool sites
  •Great Articles
  •Web Fonts, Images & Sounds
  •Rare Disease Search Engine
  •Tech Articles
  •Blog Promotion
  •Web Design
  •Pray for America
  •Carlton Family
  •Useful Resources
  •Clues 4 the Clueless
  •Homeschooling Help
  •Investing Help
  •Time Management Advice
  •Motivational Help
  •Working From home
  •Tulsa Parks
  •News Feeds
  •Classic Books
  •Congenital Adrenal Hyperplasia
  •CARES Foundation
  •Teak Furniture
  •Glass Tables and Chairs

Carding For Color And Texture
Jackie Kent -

 
Supplies: Drum carder or hand carders
Dyed wool
Dyed silk noils
Angelina
Luxury fibers like cashmere, angora, and alpaca
And, if you are like me, a color wheel.

I need a color wheel when I am working with color blending to avoid making mud. Joseph Itten identifies seven color contrasts. The contrasts I use when dyeing are hue, light and dark (as opposed to saturation), and warm and cool. I avoid complements unless the color areas are large. For instance, complements work when dyeing large areas of spaced dyed yarn, but may not when applying many colors in a painterly fashion.

Complements may not work in carding for color because the colors don’t juxtapose, but blend and mud may result!

Light and dark may get lost in a blending situation.

Analogous colors and monochromatic colors are great tools to use when choosing colors for color blending.

Equal parts of most colors work well together. A small amount of one hue may be lost in a blending unless it is shining, metallic, hairy, or in some way will stand out from the rest of the fiber.

Some things to remember about carding for color and texture is the resulting yarn will have the same characteristic as the fibers you are blending. If you want a smooth yarn, it would be best to avoid noils, silk waste, or short fibers such as cotton in the blend.

When spinning for a specific project, the carding process may have to take place over several carding sessions. It is a good policy to plan how much of each fiber you will need and also to weigh out what you will use so that you can maintain some consistency in the project from skein to skein.

I like to use undyed, bleached luxury fibers for blending because they stand out. You can SEE the little bits of cashmere!

Layer luxury fibers in between layers of wool when using a drum carder unless you have fine carding cloth or the finer fibers may ride on top of the wire teeth.

Thoroughly card silk noils before adding them to a blend unless you want the very nubby look of the noils.

Jackie Kent is a spinner, weaver, author and business owner. See more of her articles at WoolBearers.net

Article Directory: Article Dashboard

Other articles from Arts & Entertainment...
23.  Innovative Tribal Designs by Pj Germain
24.  Lower Back Tattoos by Pj Germain
25.  The Ultimate Theme Park, Walt Disney World, Orlando by Jay Sanders
26.  How To Get Noticed As A Singer by Chris Chew
27.  Why Use A Broadway Ticket Broker by Al Terry
28.  The 25th Annual Putnam County Spelling Bee Tickets - Make Your Theater Debut by Jay Nault
29.  Are You Just TOO Busy to Read a Good Book? by Kathy Steinemann
30.  Jesus Christ Superstar Tickets - See An Andrew Lloyd Webber Classic Live by Jay Nault
31.  Decoding Book Resurrects the Ancient Astronaut Theme by
32.  Japanese tattoo design and ideas. by Gary Simpkins

Rare Disease Search Engine, Homeschool Sites, Online Homeschool, Online Income, Ethical Adsense, Creative writing, Family Web Hosting, Christian Radio, Tulsa Parks

Copyright © 2006 HYUX.com